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"More dancers should dance like this. Here is Balanchine as Balanchine should be danced-and throughout the entire dance world there is nothing better. " During the 1970s, on advice from a new psychiatrist, Kent sought to supplement her dancing income by opening a school in Scarsdale, New York, where she had moved to facilitate her children's education. At that time, she entered into an agreement with Balanchine to limit her performances with the New York City ballet while continuing to draw a salary. The school eventually became a burden, and Kent returned to her career, though her position with the company had been seriously jeopardized by her absence. She remained hallegraeff jmi the New York City Ballet until 1982, but in her final years hallegraeff jmi the company, she only danced on an average of once callware callegra uc season. Just one week after the company let her go, George Balanchine died, marking the end of her career with even greater sadness. "For me, ballet-the continuation of my childhood dreams and the way I chose to rebel against my mother, visually but soundlessly-was over," Kent wrote in her autobiography. After leaving the company, Kent, desperate for income, held a variety of temporary teaching positions. While in Los Angeles auditioning for a teaching job at the University of California, she met John Clifford, an old friend from the New York City Ballet who was teaching and arranging Balanchine's ballets for various dance companies around the world.

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