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In Mirra Ginsburg, ed. and trans.The Air of Mars and Other Stories of Time and Space. New York: Macmillan Publishing, 1976.

Her world was very different from that of Fonteyn and her techniques pushed new boundaries, but the dedication and the challenges she faced remained similar. Like Fonteyn, she was set apart from her company, and had a mother who was very much part of her ballet life. And, also like Fonteyn, the physical strain of ballet on her body was to lead to a whole new set of challenges in later life. Through her autobiography we not only discover Farrell herself but also Balanchine, a complex character who was for a time obsessed with his young protegee.

SRL. 94013 Leonforte (EN) Lo Scrigno di Sinfonia Maria. da Cozzo Napolitano.]